Amalie Gabel’s (b.1992) practice unfolds as both medium and method—a spiral-like investigation where ideas, materials, and motifs return in new forms. Her works revolve around the places where people leave traces: in the home, on the train, in waiting rooms—spaces where intimacy and strangeness coexist. She is drawn to repetition as a way of processing experience and building a visual language in which figures and forms return—familiar, but never identical.